EL FUTURO ES COMO LA GELATINA, TRANSPARENTE

Santiago's work unfolds multiple layers of ideas, situations, and references derived from fine arts, decorative arts, and design. In this exhibition, he composes the space with materials in their raw state (a plant, a sheet of foam) and with manufactured elements (artificial flowers or a miniature rubber meal) that he meticulously edits, like a virtuoso material alchemist crossing screens and epochs.